Georg Philipp Telemann included a harpsichord suite by Petzold in the last five issues of Der getreue Music-Meister.Some of Petzold's harpsichord music appeared in 1729 collections: In Johann Gottfried Walther's Lexicon, published in 1732, Petzold is mentioned as a composer of "good keyboard pieces" ( German: gute. Petzold's harpsichord music įrom the early 1720s Petzold owned a state-of-the-art harpsichord manufactured by Silbermann. īach likely intended the simple binary dances contained in Anna Magdalena's notebooks, including the Minuets entered without composer indication, as teaching material, likely rather for his younger children than for his wife. These pieces may have been brought back from Dresden by Johann Sebastian when he visited this city in September 1725. Petzold's Minuets in G major and G minor, BWV Anh. 114 and 115, are the next two entries in the notebook (Nos. 4 and 5). No. 3, the first piece after the two seven-movement Partitas, is a Minuet in F major by an unknown composer (likely not Bach), adopted as No. 113 in the second annex ( German: Anhang, Anh.), that is the annex of doubtful compositions, in the Bach-Werke-Verzeichnis (BWV). Nos. 3 to 11 in the notebook are keyboard pieces written down by Anna Magdalena, likely shortly after she was given the volume. Anna Magdalena Bach likely received the notebook from her husband in the autumn of 1725, as a present for either her birthday (22 September) or their wedding anniversary (3 December). It opened with two harpsichord suites, that is, the Partitas BWV 827 and 830, composed and written down by Johann Sebastian Bach. The second Notebook for Anna Magdalena Bach was started in 1725. Petzold died in 1733: as organist of the Sophienkirche he was succeeded by Bach's son Wilhelm Friedemann. Bach gave a concert on that organ when he visited Dresden in September 1725. In 1720, Petzold composed the music for the inauguration of the new Silbermann organ of the Sophienkirche. By the time Johann Sebastian Bach started to visit Dresden, Petzold was well acquainted with several of the city's musicians, including the violinist Johann Georg Pisendel, with whom Bach was also acquainted. In the late 17th century Christian Petzold became organist at the Sophienkirche ( lit. 1.1 In the Notebook for Anna Magdalena Bach.This tune has been the basis of A Lover’s Concerto, which was written by American songwriters Sandy Linzer and Denny Randell. Among them are the two famous Minuet in G in Major and Minor.ĭespite its short playtime, Minuet in G major is a popular tune. He received top praise from his contemporaries and also made some music tours as far as Paris. Most of his work revolves around sacred or Church music and playing with the organ. He was very active and worked mostly in the German city of Dresden, where he achieved a high reputation for his work. After the discovery, they were attributed to Petzold.Ĭhristian Petzold (1677 –1733) was a fellow German composer to Bach. In the 1970s, both the G minor and G major pieces were also found in Christian Petzold’s harpsichord suite. However, it was seen as the two minuets were anonymous works that were compiled and included for Bach’s wife. Based on the discovery of the arrangement, both pieces were attributed to Bach due to its presence in the notebook. Apart from the piano pieces and arrangement, the notebooks contain chosen pieces for songs or voices.īach’s Minuet in G comprises of two-piano arrangements, one is BWV Anh. The notebooks are dated 17, respectively. The two notebooks are a collection of keyboard music that Johann Sebastian Bach gave to his second wife, Anna Magdalena Bach.
For one, the oldest mention of this piece is in 1725 Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach). The history of this piano is very checkered.
This piece is a 32-measure composition in the key of G major. Bach “ Minuet in G Major” is an instrumental arrangement for piano to play a minute in the specific key.
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